The Twilight Garden

Like the gorgeously haunted music of bands like the Horrors and Bell Hollow, the Twilight Garden’s songs are devoid of ironic detachment, which gives each one a refreshing immediacy, despite the overall melancholic tone of this album. The exquisite “I Am Echo” opens, with a perfect blend of mid-’90s Underworld…

The Grascals

Having veterans of the Grand Ole Opry in the lineup should be pedigree enough for a solid band. But the Grascals took things a step further in the first year of their existence when they released a critically acclaimed debut album. That release caught the attention of country-music legend Dolly…

Mount Righteous

Though its music has been referred to as “orchestral punk,” Mount Righteous, which hails from Grapevine, Texas, is more akin to sprawling indie-pop outfits like the Polyphonic Spree. Unlike the latter, however, this nine-piece plays its shows without electric instruments, which has given Righteous the ability to perform in more…

Carnivores at the Larimer Lounge

Some of their recordings conjure a straightahead blues band with a knack for mimicking surf rock, but that’s a bit misleading, particularly for a group with a name like Carnivores. You would be excused for thinking the handle was some kind of ironic moniker. But while these guys wouldn’t exactly…

Eek-A-Mouse

Ripton Hylton became known as Eek-A-Mouse in 1979, shortly before releasing his first hit single, “Once a Virgin.” Although Eek-A-Mouse’s early work displayed a clear debt to roots reggae, he’s since incorporated the aesthetics of dub into his core sound. An early pioneer of the dancehall sound, Eek has always…

Band of Heathens

Band of Heathens is technically from Austin, but the band comes off like it might have spent a great deal of time in New Orleans learning the rich mixture of sounds that mark that city’s eclectic scene. In moments, this outfit is reminiscent of the Band circa the early ’70s…

Amphibious Jones at Old Curtis Street

It’s rare when true technical ability is met with imagination and tasteful restraint. But that’s exactly what you get with Amphibious Jones, a quirky trio that threads together progressive rock’s chops, psychedelic space rock’s expansive soundscapes and punk rock’s liberating aggression. Although given to lengthy instrumental passages, Jones never quite…

Q&A with Leo Nocentelli of the Meters

Leo Nocentelli is most well known as the innovative guitarist in the pioneering, New Orleans funk band the Meters. His clipped guitar tone and smoothly executed improvisations have been imitated by virtually everyone who has ever tried to play funk. Growing up in New Orleans, Nocentelli had the opportunity to…

Q&A with Ethan Ward of Gangcharger

Gangcharger started out as something of a side-project Ethan Ward did with a few friends. Few probably saw or remember the earliest incarnation of the band, but when it started up full force at the end of 2008, even if you didn’t like the act’s music, it was hard to…

Gangcharger creates beauty from harsh noise

Starting out as the musical equivalent of an interlude from the Boulder-based noise-rock band Mansfield Ghost, Gangcharger is helmed by its lyricist and primary songwriter, Ethan Ward. Upon first hearing the band, comparisons to Sonic Youth, Mission of Burma and Set and Setting-era Bardo Pond might seem obvious. Even as…

Alphabets

This is the eleventh release of the year for Alphabets, aka Colin Ward. With a release corresponding to each month, Ward explored whatever musical ideas came to mind, with varying results. Nov09 is among the strongest of the 2009 releases. Hashing together white noise, abused electronic noisemakers, melodic synth lines…

James Pants

Like a lot of people, James Pants is mining early R&B-inflected synth pop and hip-hop for sonic inspiration. But for all his heisting of tricks from Afrika Bambaataa, Grandmaster Flash, ESG and Liquid Liquid, Pants takes what some might consider a retro sound and reworks it using modern technology that…

Desperate Hours

Before Desperate Hours, Matt Turner and Todd Seres played together in Arizona indie-rock band FiveSpeed, of which the former is still a member. That band recalls the poppy, melodic punk rock that came to define emo in the late ’90s — before it began its prolonged dive into self-parody. With…

3OH!3 heads an all-local bill at the Fillmore

An all-local bill at the Fillmore is so rare it’s practically apocryphal. Transforming from something of a joke between college buddies into one of the hottest acts in the country, 3OH!3 is one of the few recent local acts with the draw and clout to put together such a show…

Q&A with Busy Gangnes of Telepathe

Brooklyn’s Telepathe began when Melissa Levaudis and Busy Gangnes decided that they were tired of playing in a math rock band: The conventional means of creating and performing music in a rock band seemed stifling to the duo, and so they abandoned that method of creating almost entirely. Freely experimenting…

Hot Congress is what happens when kindred musicians pool their efforts

Hot Congress doesn’t function as a musical collective so much as a support system between friends and compatriots in one strand of the underground music scene in Denver. Beginning in January 2009 with members of a handful of bands, the Congress convened its first meetings and discussed the vision for…

Hideous Men

“Holodeck” begins this initial offering from experimental electronic project Hideous Men with cycling low-end white noise to suggest the thrum of distant interstellar engines. But in short order, a gently executed mixture of neo-tribal rhythms and tropical pop weaves layers on top of and within each other. The resulting three-dimensional…

Telepathe

Although largely unknown outside its home town of Brooklyn, Telepathe is quickly earning renown for its gorgeous, otherworldly experimental music. Conjuring an amalgamation of Broadcast, Lush and early Ladytron, Busy Gangnes and Melissa Levaudis sound like they created their music in a place isolated from immediate outside influences — a…