Stillborn Fawn, February 11 at Rhinoceropolis

In about three to five years, the subgenre of “doom” — and, to a lesser extent, its subset of “drone” — may become as ubiquitous and stale as “surf garage,” or whatever happens to be the flavor of the moment enjoying underground-bordering-on-mainstream popularity. But it won’t be because of the…

Review: Tantric Picasso at BluebirdTheater, 2/2/12

TANTRIC PICASSO @ BLUEBIRD THEATER | 2/2/12 Sometimes when bands come out on stage and look like they dressed for the show it can seem like a put-on. But when Tantric Picasso came on they looked like a band that had stepped out of a door to the early 1970s…

Tantric Picasso: “That alchemy is so precious and nurturing”

Tantric Picasso (due Thursday, February 2 at the Bluebird Theater) started in 2008 among a group of friends who met at school, which is typical enough, but in naming the band, the fivesome created a personal mythology (partly detailed below) that is somewhat embodied in the name with hints of…

Le Divorce

The Sting and the Light, Le Divorce’s latest effort, starts off with “Six Feet Under,” a bit of a rocker that quickly evolves into a surprisingly straight ahead pop song with jazzy undercurrents. In “Under Boxcars,” a breezy melody meets textured rhythm, while the layered atmospherics of “Splinter Song” evoke…

Children of Bodom

Having changed its name from Inearthed to a reference to the infamous Lake Bodom murders of 1960, this Finnish band continues to defy easy categorization in any specific subgenre of metal. The band’s precision and furiously fast and melodic riffing are clearly influenced by the new wave of British heavy…

Cass McCombs

In 2007, singer-songwriter Cass McCombs told the San Francisco Chronicle that he wants his tombstone to read “Home at Last.” McCombs’s subtle and sardonic humor, enmeshed with a poetic truth, also informs his songwriting. Although he doesn’t really sound like Roy Orbison, his lushly evocative tunes resonate with the same…

Review: Ghost at Marquis Theater, 1/27/12

GHOST @ MARQUIS THEATER | 1/27/12Even before Ghost took stage, people started chanting for the band, which was interesting considering this is the outfit’s first big tour. But that enthusiasm was rewarded when the strains of “Masked Ball” by Jocelyn Pook came over the P.A., with its reversed Romanian words…

In the Whale releases Cake January 28 at the hi-dive

In the Whale started out in Greeley as a side project of What About Pluto? and Trailer 77, but guitarist Nate Valdez and drummer Eric Riley wanted to do something more raw as an outlet for sublimated frustration and angst. A former counselor of juvenile delinquents, Valdez undoubtedly had plenty…

Sense From Nonsense

The eleven minutes and six seconds of this single track sound as if Tom Nelsen watched The Last Temptation of Christ and Kingdom of Heaven simultaneously and then did storyboards for a graphic-novel version of Umberto Eco’s Foucault’s Pendulum. It is ambient in the same sense that the most abstract…

The Descendents

With the release of 1981’s Fat EP, the Descendents became one of a steadily growing stream of hardcore bands from Southern California. And, as was the case with many of those early acts, their music was a youthful catharsis informed by a wickedly absurdist sense of humor. Until Napalm Death…

Review: Yob at Larimer Lounge, 1/22/12

YOB @ LARIMER LOUNGE | 1/22/12 Mike Scheidt of Yob was replacing a string on his guitar that had just snapped and he told us, “Two more songs and we’ll end it brutal.” True to his word on behalf of the band, Scheidt and company escalated quickly into the rampaging…

Review: Garland Jeffreys at Lion’s Lair, 1/21/12

GARLAND JEFFREYS @ LION’S LAIR | 1/21/12 There was no opening act for Garland Jeffreys on Saturday night, and the show got started around 9 p.m., so if showed up thinking it would start later, you missed some songs. This wasn’t the usual sort of show for Lion’s Lair, where…

Garland Jeffreys on Lou Reed and “living in between”

Garland Jeffreys (due Saturday, January 21, at the Lion’s Lair) should be a household name considering some of the shoulders with which he’s rubbed during the course of his long career: He met Lou Reed and Maureen Tucker before the Velvet Underground were properly a band, when Jeffreys and Reed…

Secret Chiefs 3

Trey Spruance first came to prominence as the guitarist in Mr. Bungle, with Mike Patton and Trevor Dunn. Spruance also did a brief stint in Patton’s then-more-famous band Faith No More. After Bungle effectively quit being an active unit in 2000, Spruance took his interest in myriad musical styles, and…