Public Enemy at Summit Music Hall, 12/21/13

PUBLIC ENEMY at SUMMIT MUSIC HALL | 12/21/13 One of the most powerful moments of Public Enemy’s set came when Chuck D told us they were reaching back to It Takes A Nation of Millions To Hold Us Back for the next song. It was hard to say what was…

Abandin Pictures

Fans of bands like Felt and the more twee side of the Church will find something to like on Abandin Pictures’ Who Killed the Dinosaurs, with its soaring dynamics and simple melodies highlighting subtle sonic textures and details. “Recess” has the kind of down-tempo, slightly melancholy vibe of Within and…

Review: EOTO at Fillmore Auditorium, 12/7/13

EOTO at FILLMORE AUDITORIUM | 12/7/13 When Jason Hann sang the opening line of “In The Air Tonight” by Phil Collins towards the end of EOTO’s set, it seemed more appropriate than cheesy. Also a singing drummer, Hann offered a heavier dub take of the song, rather than the pounding…

Prism Waves

The title track of Courage, the new Prism Waves EP, establishes an overarching aesthetic of melancholic yearning, which can be heard not just in the plaintive singing, but in the way the guitar notes are plucked, arranged and paced. The song sounds like something the Cure might have done for…

The best punk shows in Denver in December

JELLO BIAFRA & GUANTANAMO SCHOOL OF MEDICINE at SUMMIT | 12/31 Jello Biafra first came to the attention of the world as the charismatic, hyperkinetic and relentlessly intelligent frontman of the Dead Kennedys. Never one to mince words, Biafra became a lightning rod with his unapologetic critiques of the regressive…

The best DIY shows in Denver in December

FRI | ALPHABETS at RHINOCEROPOLIS | 12/13/13 When Colin Ward was thirteen years old, he was already making an impression on older members of the underground music community in Denver with his project Pocket Dove. With Nick Peelor, Ward formed the experimental indie-pop band Tudaloos and made music that seemed…

David Mead

Thanks to David Mead’s flute playing, “The Black,” Black Stitch in Eternity’s opener, could be part of the soundtrack to an early-’60s Japanese ghost movie. Elsewhere, “Weight for Dusk” introduces the tenor sax and recalls the hard bop of late-’50s jazz figures, while “Rotting Cage” displays Mead’s deeper roots in…

Confluence came together from various musical sources

It comes down to Alan introducing us to indie rock,” declares Confluence frontman Ian Gassman, speaking of bassist Alan Hubbard and summing up the eventual musical direction of the band. “I was listening to Bob Dylan a bunch, and Jack Johnson…. I’m just saying my want to get better at…

Review: Cat Power at Gothic Theatre, 11/23/13

CAT POWER at GOTHIC THEATRE | 11/23/12 It was somewhere around an hour between the end of opener Nico Turner’s set and the beginning of the Cat Power set. By the time Chan Marshall took the stage, some people seemed to be getting restless. Marshall more than made up for…

Review: Morbid Angel at Bluebird, 11/22/13

MORBID ANGEL at BLUEBIRD THEATER | 11/22/13 Although this tour was dedicated to Morbid Angel playing its landmark third album Covenant in its entirety, the guys treated us to at least one song from each of its full-length releases. Before the band took stage, the lights went low and the…