CP 208’s Tripp Wallin on why he performs in drag

CP 208 closed out the night at Roostercat Coffee House for the Westword Music Showcase. Most of the crowd had filed out following Echo Beds’ set. Their loss. The four-piece took to the stage and sprawled out a herky- jerky, noise-jazz, No Wave-esque post-punk. Its sounds are used like a…

Feed the Rocks

Although considered by many to be a hip-hop producer, Steven Ellison has displayed musical and artistic ambitions that are clearly not confined to a narrow range of classification. Drawing inspiration from the late hip-hop genius J Dilla, Ellison, under the moniker Flying Lotus, has likewise brought considerable imagination and a…

Sara Century and collaborators on Splinters, her first musical

Splinters, the first musical conceived and written by Sara Century, is a surrealistic combination of music and performance art in twelve acts with set and costume changes throughout. Working with Denver friends Katie Taylor and Heidi Kleder, Century has created a three-woman vehicle about the sometimes convoluted nature of friendships…

Red Fang

Red Fang started out at the height of stoner rock’s popularity, and the band’s music displays some of the hallmarks of that movement: sludgy, colossal riffs and distorted vocals scaled to epic dimensions. But the members of Red Fang also spent some of their ’90s youth in Portland, witnessing all…

Jeff Raphael on collage, art teachers and thrift-store books

Jeff Raphael was once the drummer of early San Francisco punk band The Nuns. Along with The Avengers, that band opened the infamous last show that the Sex Pistols in its first run played at Winterland in February 1978. Since then, Raphael has gone on to play with several of…

Why we need house shows

The house show used to be something you could count on in Denver with some regularity. But in the last two or three years, such things have dwindled, becoming virtually nonexistent. What makes going to these kinds of shows special in a way that can’t be duplicated at a venue…