Review: The Cherry Orchard Harvests Humor but Isn’t Deeply Rooted

The ghost of Anton Chekhov has been haunting area stages lately, what with last fall’s Vanya and Sonia and Masha and Spike, an absurdist Christopher Durang comedy-parody at the Denver Center, and the Boulder Ensemble’s recent Stupid Fucking Bird, in which playwright Aaron Posner closely follows the plot of The…

Review: The 12 Delivers Rock and the Resurrection

A rock musical with a biblical theme? It’s been done, of course. But The 12, a world premiere at the Denver Center Theatre, takes a very different approach from that of Jesus Christ Superstar or Joseph and the Amazing Technicolor Dreamcoat. It explores the emotional reactions of the disciples who…

Review: High-Flying Stupid Fucking Bird Takes Off on Chekhov

When you think about Chekhov, the usual image is a stage filled with unhappy people, all yearning for something unattainable. That’s also what you get with Aaron Posner’s Stupid Fucking Bird, a take-off on Chekhov’s The Seagull — but this is a hybrid, a parody with a certain amount of…

Five Shows on Denver Stages, Including Two Closing This Weekend

On local stages this weekend, you can catch everything from songs of the Harlem Renaissance to the wit of the late Molly Ivins in the final performances of  Red Hot Patriot revival. Here are capsule reviews of five productions this weekend. Ain’t Misbehavin’. “The Reefer Song,” performed by Leonard E…

Theater Review: In the Red and Brown Water Is Hit and Myth at Curious

Playwright Tarell Alvin McCraney grew up in a Miami housing project, attended graduate school at Yale, where he worked as August Wilson’s assistant, and went on to fame and acclamation as an entirely new voice in theater while still in his twenties. Curious Theatre Company staged McCraney’s The Brothers Size…

Review: Ain’t Misbehavin’ Hits All the Right Notes

Talk about a reefer of five feet long Not too fat and not too strong You get high, but not for long If you’re a viper. Or — as sung by Leonard E. Barrett, on a luxuriously long exhale in Ain’t Misbehavin’ — a vipah. This number, performed with languid,…

Now Playing: A Sixpack of Shows on Denver Stages

5 Lesbians Eating a Quiche “At the center, it’s a really sweet love story — and the funniest show of the year. I actually think that’s true. People who think women can’t be funny? Well, they should come and take a look at this.” That’s director Edith Weiss’s description of…

Review: Next to Normal Gets Mad Props at Town Hall Arts Center

The musical Next to Normal garnered a Pulitzer Prize for composer Tom Kitt and writer Brian Yorkey and high praise from critics — in part because it dealt with the ugly realities of mental illness, an unusual and courageous focus for a generally upbeat and unrealistic medium. At the center…

Review: The Aliens Has Plenty of Nothing

I had high hopes for The Aliens. The Boulder Ensemble Theatre Company has been doing terrific work lately, and The Aliens had received rapturous reviews all over the country, reviews that floated the names Beckett and Chekhov. Playwright Annie Baker won a Pulitzer for…

Review: Benediction Is a Fitting Tribute to Kent Haruf

Benediction Denver Center Theatre Company A world premiere, a tribute and a deeply affecting evening of theater: This is the Denver Center Theatre Company’s production of Benediction, Eric Schmiedl’s dramatization of Kent Haruf’s novel of the same name. A much-loved and lauded Colorado author, Haruf saw two of his earlier…

Now Playing: This Week’s Theater Options

Beets. A thoughtful historical play by local writer Rick Padden,Beets is set in Berthoud, Colorado, during World War II, when German prisoners were sent to this country and many ended up working in American fields. On first hearing that prisoners will be sent into the beet fields, Fred Hunt, a…